AFRIKANER JEWS: Some Jews tried to become Boers – Olga Kirsch – Fled to Israel – My Comments
20 Pics: RAHOWA (White) RACIAL HOLY WAR: Excellent memes to spread among whites
I really am a huge fan of Ben Klassen and the Creativity Movement. It was Ben Klassen an almost South African sounding name but actually a German Ukrainian who moved to the USA, who invented the Whites only religion of Creativity and coined the phrase: RAHOWA Racial Holy War, for whites.
[Jews wangle their way in EVERYWHERE. Here's a Jewish hag who tried to become a Boer. She actually wrote Afrikaans poetry which is remembered to this day. But like all Jews, they really don't like White Nationalism. So when APARTHEID came in 1948, which is also when the Jew state of Israel came into being, she FLED to Israel. Jews go in everywhere – Whites everywhere are too kind to them. Jan]
ABSTRACT Olga Kirsch (1924–1997) occupies a unique position in the canon of South African literature. While the contribution of Jewish authors to South African literature is considerable, it is almost entirely in English. Kirsch is unique in that her contribution as a Jewish South African writer is to Afrikaans literature. She was a major Afrikaans poet and one of the first women poets to publish in Afrikaans. Anthropologists like Van Gennep (The Rites of Passage, 1960) and Turner (The Ritual Process, 1969) define a condition of “liminality,” a position of being on the threshold, part of a particular cultural space yet not entirely within this space, outside, yet not entirely excluded from such a space. Kirsch holds such a position of liminality in the tradition of Afrikaans poetry, recognized at once as an important, even beloved poet within the tradition and yet identified as an outsider in terms of culture and religion (issues that are central to her work) to the Calvinist Christian tradition closely associated with the mainstream of Afrikaans culture, a culture which has, of course, also been characterized by strong manifestations of racial exclusiveness. American critic Paul Gilroy (The Black Atlantic, 1993) comments on the phenomenon of “cultural insiderism,” which marries race and religion with cultural and national identity, culminating in “an absolute sense of ethnic difference.” This highlights the anomalous position of the politically liberal, Jewish Kirsch as Afrikaans poet. Her work reveals shifting identities, becomes the nodal intersection of, on the one hand, the condition of the outsider, the exile, Jewish, and on the other, the insider, the young woman from rural South Africa who could only express her soul in Afrikaans. In Kirsch’s work the painful split is sublimated into her art which derives vigour from it, functioning in what Homi Bhabha (The Location of Culture, 1994) calls the “third space of enunciation” in which identity is not static but fluid, constructed and reconstructed, where contraries are assimilated.
Video: 2nd Anglo-Boer War: The British Atrocities against the Boers
The 2nd Anglo Boer war is probably the only war where WHITE CHILDREN were the main victims by far! In this video we take a look at the dirty war that the British Army engaged in, in order to crush a tiny army of Dutch-German Farmers (the Boers) here in Africa. We look at photographs and information from that time. We also look at the role of the British Rothschilds and Jews in this war.